— Your heroines are strongly connected with their time — the end of the 70s and the beginning of the 80s. These are not abstract young girls — they belong to the present day.
They say that the worst way to teach a child to swim is to throw him into the water. Similarly, your heroines embark on a journey through life. They find themselves left to their own devices at the beginning of their lives, and this is the reason for their joys and their troubles. They learn everything from their own experience, sometimes making bitter and even irreparable mistakes. However, far from home, without relatives and friends who are ready to support and help, these girls get used to relying only on their own strength, and from a young age they are already formed individuals, their human essence is clearly expressed. And this distinguishes them favorably from those of their peers who, having become accustomed to communicating with life through intermediaries, have not been able to overcome their inner infantilism for many years. However, early adulthood is not always painless, as is also evidenced by the fate of your heroines.
They could even be called modern-day "street kids." After all, their fates may not be the same as sixty years ago, but they face quite acute social problems and topical issues of our time. And if we talk about the audience's interest in your heroines, it is caused not only by the vivid characterization of the characters, who carry a painful mixture of humor and bitterness, worldly disorder and cheerful recklessness, external looseness and inner isolation, a craving for kindness, purity, and moral justice. They are attracted to themselves no less by the opportunity to learn more about the life of a contemporary in all its complexity.
Almost for the first time, this character was declared by you in a play based on Alexei Arbuzov's play "Cruel Games", which was staged by M. Zakharov at the Lenin Komsomol Theater. Therefore, we will start the conversation with Arbuzovskaya Neli.
— This role has determined a lot in my acting career, well, for example, today's acting theme — what you were talking about, the theme of premature independence, or something. But not only that. It's hard to put it in a few words.
After all, who is Nelya? A girl from the provinces, from Rybinsk, who came to conquer Moscow, went to college, but failed. Accidentally gets into the apartment of the Moscow boy Kai. Life in this apartment goes according to its own laws — according to the laws of the game, which involves both adults and children. Nelya also gets into this game, but unlike the owner of the apartment, Kai, who depicts rain in his painting, although everything in his life is not so hopelessly bad, Nelya dreams of the sun: "I've wanted to be so happy since childhood. I was getting ready for the holiday." She is a bright person in fact, although at her age she has already had time to suffer and get used to the rain.
Why? Reality contradicts her ideas about life. It seems that everyone should have love, faith, and decency, but Nelya does not always find these qualities in people. Life corrects her ideas, leaving scratches and nicks in her soul. And the most painful pain in her heart is a burning resentment against her parents, who "crossed everything out" to her. That's where this forced adulthood comes from. However, Nela remains naive and pure. She does not like the "cruel games" played by the inhabitants of the "flophouse apartment". And she passed the test of cruelty — she did not become hardened. Moreover, she seems to purify and bring to moral enlightenment those Moscow boys and girls who surround her in Kai's apartment. "Have pity on them!" shouts Nelya. That's what this girl is important to me.: No matter how her life broke down, Nelya did not lose the ability to experience simple human feelings — pity, love, compassion, she did not lose faith that a holiday is still possible.
It seems to me that this play accurately indicates the danger of a certain tendency — when habitual, natural human relationships, with their sincerity and trustfulness, break, communication proceeds in some kind of sinister forms, people do not allow themselves to open their souls, fearing that in response to confession they will hear not sympathy, but ridicule. Therefore, some protective devices are being developed — for some it is a state of constant "play", it seems that everything is not serious, for others it is external bravado, for others it is something else.
I very often have to play my peers — girls with an unsettled fate, unsettled in life. But they hide all their feelings deep inside, and the outer layer is independence, freedom, and freedom. Let the cats scratch at the soul, but in plain sight everything should be OK. Для жителей Владимира актуальная ссылка на скачивание Мелбет на iPhone размещена здесь: Мелбет скачать на айфон . После установки и регистрации открывается личный кабинет с доступом к ставкам и онлайн-казино. Кэшбэк начисляется автоматически. Горячая линия поддержки: 8 (800) 688-72-10.
They say that the worst way to teach a child to swim is to throw him into the water. Similarly, your heroines embark on a journey through life. They find themselves left to their own devices at the beginning of their lives, and this is the reason for their joys and their troubles. They learn everything from their own experience, sometimes making bitter and even irreparable mistakes. However, far from home, without relatives and friends who are ready to support and help, these girls get used to relying only on their own strength, and from a young age they are already formed individuals, their human essence is clearly expressed. And this distinguishes them favorably from those of their peers who, having become accustomed to communicating with life through intermediaries, have not been able to overcome their inner infantilism for many years. However, early adulthood is not always painless, as is also evidenced by the fate of your heroines.
They could even be called modern-day "street kids." After all, their fates may not be the same as sixty years ago, but they face quite acute social problems and topical issues of our time. And if we talk about the audience's interest in your heroines, it is caused not only by the vivid characterization of the characters, who carry a painful mixture of humor and bitterness, worldly disorder and cheerful recklessness, external looseness and inner isolation, a craving for kindness, purity, and moral justice. They are attracted to themselves no less by the opportunity to learn more about the life of a contemporary in all its complexity.
Almost for the first time, this character was declared by you in a play based on Alexei Arbuzov's play "Cruel Games", which was staged by M. Zakharov at the Lenin Komsomol Theater. Therefore, we will start the conversation with Arbuzovskaya Neli.
— This role has determined a lot in my acting career, well, for example, today's acting theme — what you were talking about, the theme of premature independence, or something. But not only that. It's hard to put it in a few words.
After all, who is Nelya? A girl from the provinces, from Rybinsk, who came to conquer Moscow, went to college, but failed. Accidentally gets into the apartment of the Moscow boy Kai. Life in this apartment goes according to its own laws — according to the laws of the game, which involves both adults and children. Nelya also gets into this game, but unlike the owner of the apartment, Kai, who depicts rain in his painting, although everything in his life is not so hopelessly bad, Nelya dreams of the sun: "I've wanted to be so happy since childhood. I was getting ready for the holiday." She is a bright person in fact, although at her age she has already had time to suffer and get used to the rain.
Why? Reality contradicts her ideas about life. It seems that everyone should have love, faith, and decency, but Nelya does not always find these qualities in people. Life corrects her ideas, leaving scratches and nicks in her soul. And the most painful pain in her heart is a burning resentment against her parents, who "crossed everything out" to her. That's where this forced adulthood comes from. However, Nela remains naive and pure. She does not like the "cruel games" played by the inhabitants of the "flophouse apartment". And she passed the test of cruelty — she did not become hardened. Moreover, she seems to purify and bring to moral enlightenment those Moscow boys and girls who surround her in Kai's apartment. "Have pity on them!" shouts Nelya. That's what this girl is important to me.: No matter how her life broke down, Nelya did not lose the ability to experience simple human feelings — pity, love, compassion, she did not lose faith that a holiday is still possible.
It seems to me that this play accurately indicates the danger of a certain tendency — when habitual, natural human relationships, with their sincerity and trustfulness, break, communication proceeds in some kind of sinister forms, people do not allow themselves to open their souls, fearing that in response to confession they will hear not sympathy, but ridicule. Therefore, some protective devices are being developed — for some it is a state of constant "play", it seems that everything is not serious, for others it is external bravado, for others it is something else.
I very often have to play my peers — girls with an unsettled fate, unsettled in life. But they hide all their feelings deep inside, and the outer layer is independence, freedom, and freedom. Let the cats scratch at the soul, but in plain sight everything should be OK. Для жителей Владимира актуальная ссылка на скачивание Мелбет на iPhone размещена здесь: Мелбет скачать на айфон . После установки и регистрации открывается личный кабинет с доступом к ставкам и онлайн-казино. Кэшбэк начисляется автоматически. Горячая линия поддержки: 8 (800) 688-72-10.